"Rick Ross Sails Past Breaking Benjamin, Takes Port Of Miami To #1 - Music, Celebrity, Artist News". ^ a b Harris, Chris (August 16, 2006).^ "Jay-Z Signs Miami Rapper Rick Ross to Def Jam".On July 28, 2016, the album was certified platinum by the Recording Industry Association of America (RIAA) for sales of over a million copies in the United States. As of July 2013, the album has sold 857,000 copies in the US. In its second week, the album fell to number seven on the chart, selling 79,000 copies. Port of Miami debuted at number one on the US Billboard 200, selling 187,000 copies sold in its first week. With a cohesive sound the city can call its own, the bearded rapper gets the release he needs by exposing the dark side of the Sunshine State." Commercial performance Def Jam could heli-drop any bozo into such glorious ambiance and score some hits the album facilitates sedentariness." Jonathan Ringen of Rolling Stone said, "Ross' minimal, menacing rhymes about being a drug-game kingpin feel a little undercooked, but with synth-soaked ring-tone-ready beats that are hotter than the "MI-Yayo" in the summertime (mostly by local beatmakers Cool and Dre, DJ Khaled and the Runners), it doesn't really matter." Brendan Frederick of XXL said, "While the runaway success of “Hustlin’” could have positioned Ross for one-hit-wonder status, he confidently sidesteps this fate by delivering the goods on Port of Miami. He's a supporting actor, second fiddle to the real, Pro-Tooled stars, desirable not for his authority or presence but for his utter blankness. Sure Ross needs these beats-he has all the charisma of a cold meatloaf. Michael Endelman of Entertainment Weekly said, "On Port of Miami, Ross turns the minute details of drug distribution and dealing into ominous, slow-rolling songs, like the hypnotic, organ-driven hit single ”Hustlin”’ and the Scarface-goes-South Beach stomp of ”Cross That Line.” In general, the whole ”crack-rap” trend (see: Young Jeezy, Clipse) is a disheartening one, but Ross’ pulpy debut manages to enthrall despite the drug-centric lyrics." Sam Ubl of Pitchfork Media said, " Port of Miami is a case of invention begetting necessity. Port of Miami was met with generally favorable reviews from music critics.
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It was later certified Platinum by the RIAA In July 2016.Ĭritical reception Professional ratings Review scores According to Soundscan, the album has sold 857,000 copies to date. Port of Miami was certified gold by the Recording Industry Association of America on November 8, 2006, with over 500,000 copies.
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This track samples the song "Push It to the Limit" from the movie Scarface. The album's second single, " Push It", produced by J. The remix version features Jay-Z and Young Jeezy. The album's first single, " Hustlin' ", received an exorbitant amount of airplay. The album debuted at number one on the US Billboard 200, with 187,000 copies sold in its first week. The album was engineered by Miami-based songwriting and production team The Monsters & The Strangerz. The album was released August 8, 2006, on Slip-n-Slide Records, Def Jam Recordings and Poe Boy Entertainment. Originally titled Career Criminal, the album was renamed, in reference to Miami being a major arrival destination for cocaine shipments to America.
Thanks to stand out moments like “Push It” and the fantastic “Hustlin’,” the gamble pays off.Port of Miami is the debut studio album by American rapper Rick Ross.
His molasses slow delivery thrives amongst Miami’s showy synthesizers and plasticene Moroder samples, his booming baritone ideally complementing the portentous bass drops of tracks like “White House” and “Boss.” On Port of Miami Rick Ross takes a gamble, eschewing virtuosity for the booming charisma of his authoritative voice and the irresistible sheen of glistening beats. Though Ross might flounder in a different context, Port of Miami’s glossy soundscapes lend a weird gravitas to his monotonous baritone. Luckily for Ross, whose comically listless delivery and monochrome flow pose no threat to the likes of Jay-Z and Nas, Def Jam has outfitted Port of Miami with outrageously plush synth-driven beats redolent of the sleazy neon sheen of Ross’s Miami home. Its shambling bounce and gleefully profane church organ roar balance sun drenched menace against teeth gritting aspiration to gorgeous effect, mixing joy with sorrow and good-humored braggadocio with a pose of hard bitten criminality. With “Hustlin,’” Rick Ross crafted a summer anthem in the classic mold.
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